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Act Two: Forgotten, But Not Lost

To find out more about the bridge Denise talked about in act one and the armed police who prevented pedestrians from crossing, This American Life producer Alex Blumberg talks with Lorrie Beth Slonsky and her husband Larry Bradshaw. They're paramedics from San Francisco who were visiting New Orleans for a convention when Hurricane Katrina hit.

Act One: Froggy Goes A-courtin'

The story of a series of misunderstandings with very dire consequences. Shaheen was stopped by the police, who looked at what was in his car and before Shaheen knew it, he'd come to the attention of some of the highest ranking officials in the Defense Department.

Act Two: Snitch

The story of how common and perfectly legal police interrogation procedures, procedures without violence or torture, were able to get an average fourteen-year-old suburban kid to confess to murdering his own sister...even though DNA evidence later proved that he hadn't done the crime.

Prologue

We hear from Father Jim Kastigar, who got on the wrong side of Town Hall and suffered the kinds of consequences people in Cicero suffer. His parish was denied a permit to hold an outdoor religious ceremony they'd held peacefully for seven years, the youth group's tamale fundraiser was shut down by city inspectors and the parking lot near the church was deemed unfit for Sunday parking.

Act One: Untouchables

To understand how Cicero reacted when Hispanics started flooding into town, you have to understand how it dealt with conflict in the past. For a period the town was run by Al Capone, and the mob was connected to Town Hall for most of the twentieth century.

Act Two: The Inevitable

In the 1970s and 1980s, a wave of non-white migration into Cicero begins, this one primarily Mexican-American. The head of the political machine is named Betty Loren-Maltese, whose husband, now deceased, was convicted for mob-related activity.

Act Three: War By Other Means

Despite the town's resistance, Hispanics now make up three quarters of the population. And yet the incumbent Town President, Betty Loren-Maltese, seems likely to win the next election.

Prologue

Host Ira Glass goes to jail in Bristol County, Massachussetts, where there's a large Portuguese community, and where even a law-and-order sheriff named Tom Hodgson opposes this particular immigration law. He also talks with inmate Jorge Aruda, who's being deported for a crime he already served his sentence for.

Prologue

Ira talks with producer Blue Chevigny about how a prank caller taught her that when it comes to pursuing happiness, Carole King, the world of independent cinema and the New York City Police Department have a lot more in common than she ever imagined. He also talks with MIT Professor Pauline Maier, author of the book American Scripture: Making the Declaration of Independence.

Act Three: When Irish Eyes Are Smiling

Every year, the Emerald Society, an association of Irish Chicago police officers, flies in policemen from New York City for Chicago's two big St. Patrick's Day Parades.

Act One

We hear the first part of our story about Archer Daniels Midland and FBI informant Mark Whitacre. In this half, Whitacre inadvertently ends up a cooperating witness—and turns himself into one of the best cooperating witnesses in the history of U.S. law enforcement, gathering evidence with an adeptness few have matched.

Act Two

Our story about ADM and Mark Whitacre continues. The FBI finds out that their star cooperating witness Mark Whitacre has been lying to them for three years about some rather serious matters.

Act One: Take That, Copper

Monica Childs's story continues. She tells the story of how she was asked by her boss to do something illegal...and how she refused...and the repercussions she suffered.

Prologue

There are thousands of voices passing through your body right now on radio waves—signals from cellular phones and cordless phones, military transmissions and baby monitors. You're not supposed to listen in on these.

Act Four: Open Your Big Mouth

What happens when you go into a place—in this case a prison—where there are all sorts of codes about what you're never supposed to say...and you say every one of them. Rick Reynolds tells a story from his one-man show (and CD) All Grown Up and No Place to Go, about performing stand-up comedy at a maximum security prison just before Christmas a few years ago.